Legitimate Patrimony

‘With the inclusion of... a liturgical provision in Anglicanorum coetibus, the Holy See acknowledged the legitimate patrimony of Anglican ecclesial communities coming into full communion. The presumption here is that an essential part of that patrimony must be liturgical since worship expresses in a most tangible way not only the ethos of a community, but also the faith that prompted it to seek full communion in the first place. Just as it would be unthinkable to describe the Catholic Church without reference to its liturgical and sacramental life, so it would in some sense be for every ecclesial body. The manner in which an ecclesial community worships uniquely expresses its inner life.
 
The publication of Divine Worship was of historic significance in that this is the first time the Catholic Church acknowledged the value of liturgical forms in use in communities that emerged in the sixteenth century reformations and, moreover, undertaken to incorporate them. To be sure, the Church over the years has drawn elements of the musical traditions of these communities — such as hymns, motets, and chorales — but never official liturgical texts or usage.
 
…It is remarkable that the Catholic Church should have undertaken a formal process such as the Anglicanae traditiones Commission to identify and incorporate the richness of Anglican liturgical practice. In constituting a body of authoritative texts duly approved and promulgated by the Holy See, Divine Worship is true to the fundamental character of a liturgical “patrimony”.
 
It is massively important to recognise that the liturgical books comprised by Divine Worship arise from an exercise of Peter’s authority over the churches that recognises the authentic faith of the Church expressed in Anglican forms of worship and confirms that expression as a treasure or patrimony for the whole Church. In other words, the universal Church recognises the faith that is already hers expressed felicitously in another idiom. The elements of sanctification and truth that are present in the Anglican patrimony are recognised as properly belonging to the Church of Christ and thus as instruments of grace that move the communities where they are employed towards the visible unity of the Church of Christ subsisting in the Catholic Church (cf. Lumen Gentium, 8). By further enriching those expressions through access to the Magisterium that authentically interprets the Word of God and preserves Christian teaching from error, the Catholic Church proposes this form of worship anew as an efficacious means of sacramental grace for future generations.
 
To be sure, the sources are Anglican, and many of the liturgical texts in Divine Worship have their origin in a situation of ecclesial rupture. Yet there is a powerful dynamism at work in the reintroduction of these texts in communities now in full communion with the See of Peter. It is not just that they are given a “new lease on life” in a new context or successive generation. These liturgical forms “return” to the Church having been purified and transformed in Catholic communion. Words pronounced at other times and in other context are no longer simply Cranmer’s poetry or an English assertion of independence from Rome, or now merely the eloquence or piety of the priest celebrant who speaks them, but rather the words of the Church and her faith’.

from a talk entitled Anglican Patrimony: A Perspective from the Holy See
given at a conference The Gospel and the Catholic Church: Anglican Patrimony Today
Oxford, April 2018, by Archbishop Augustine Di Noia OP